What my students say ❤️
Natalia R.
What a beautiful website, solively and kind as itsowner, everything is very cozy andclear,cool navigation! Hurray!now it only remains to create a separate place so that students can leave theircomments and review, write a heartfelt thank you to Anya for herwonderful work and the atmosphere in the studio
Natalia L.
I recommend it, very professionally and sincerely
Maria P.
I would like to share with you about the effect of drawing lessons for adults) myfriends and I went to Anya's school in March. And I did not expect that immediately, from the firstlessons, there would be visible results and progress.Moreover, this is reflected in everyday life - I began to combine colors inclothes in a different way, it is now a great pleasure not just to "run through" museums, but to examine and understand the works. The last time I drew in art lessons was in elementary school. And in the photo below , my very first oil painting (the picture on the right).In three months we got acquainted with watercolor, tempera, oil, gouache, diddrawings, sketches, still lifes were painted. To be honest, the tempera work was notsuccessful :), but I will try it in the new academic year.Just working with a brush on a canvas, trying different materials and techniques is now the best meditation for me after a day at work.And for one of the members of our group, it seems to me that this will soon become a newprofession)
Maya L.
We highly recommend Anna - talented and exciting for children and adults ❤️👍
Oyuna K.
I highly recommend it, she is very kind, easily finds an approach to children
Elena H.
I highly recommend Anna.My children (5 and 7 years old) are happy to study with her and look forward toevery lesson
Maya L.
Anna is engaged with my daughter (16) - perhaps the only extra curriculumthat takes her away from the gadget) at her own request 👍🤗 , thank you, Anna🙏
Katia V.
Anna is wonderful! Everyone run!
Tamta N.
My recommendations to this wonderful girl
Wish you success Anna
Coordonnées
Pour toute inscription ou pour des renseignements généraux, contactez-nous :

Telephone: +41 79 545 56 84
Email: anna.bolotova.art@gmail.com
Adresse: Rue des Maraîchers 9, 1205 Genève

(Plainpalais)
Envoyer
Nom
Contactez-nous
Email
Sujet
Message
Calendrier des événements
October
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Di
Sa
Ve
Je
Me
Novembre
Ma
1
2
3
Lu
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Di
Sa
Ve
Je
Me
Ma
Lu
December
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Di
Sa
Ve
Je
Me
Ma
Lu
Septembre
Lu
Ma
Me
Je
Ve
Sa
Di
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
Manage cookies
We use cookies to provide the best site experience.
Manage cookies
Cookie Settings
Cookies necessary for the correct operation of the site are always enabled.
Other cookies are configurable.
Essential cookies
Always On. These cookies are essential so that you can use the website and use its functions. They cannot be turned off. They're set in response to requests made by you, such as setting your privacy preferences, logging in or filling in forms.
Analytics cookies
Disabled
These cookies collect information to help us understand how our Websites are being used or how effective our marketing campaigns are, or to help us customise our Websites for you. See a list of the analytics cookies we use here.
Advertising cookies
Disabled
These cookies provide advertising companies with information about your online activity to help them deliver more relevant online advertising to you or to limit how many times you see an ad. This information may be shared with other advertising companies. See a list of the advertising cookies we use here.
Manage cookies
We use cookies to provide the best site experience.
Manage cookies
Cookie Settings
Cookies necessary for the correct operation of the site are always enabled.
Other cookies are configurable.
Essential cookies
Always On. These cookies are essential so that you can use the website and use its functions. They cannot be turned off. They're set in response to requests made by you, such as setting your privacy preferences, logging in or filling in forms.
Analytics cookies
Disabled
These cookies collect information to help us understand how our Websites are being used or how effective our marketing campaigns are, or to help us customise our Websites for you. See a list of the analytics cookies we use here.
Advertising cookies
Disabled
These cookies provide advertising companies with information about your online activity to help them deliver more relevant online advertising to you or to limit how many times you see an ad. This information may be shared with other advertising companies. See a list of the advertising cookies we use here.
Our Clients Love Us
  • Sarah Lewin
    Project manager in Pixels
    I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • Samuel Willson
    Creative director in DD agency
    Before incorporating visual aids into speeches, the speaker should understand that if used incorrectly, the visual will not be an aid.
  • Alex Larkins
    Founder of Pic Pen studio
    You can't connect the dots looking forward, you can only connect them looking backwards.
Our Clients Love Us
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
    Farrel Gulierm
    Project manager in Pixels
  • Before incorporating visual aids into speeches, the speaker should understand that if used incorrectly, the visual will not be an aid, but a distraction.
    Samuel Willson
    Creative director in DD agency
  • You can't connect the dots looking forward, you can only connect them looking backwards.
    Sarah Lewin
    Founder of Pic Pen studio
  • It is necessary to choose a visual aid that is appropriate for the material and audience.
    Alex Larkins
    Creative director SoSoul magazine
What our customers say ❤️
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • The principal element of Suprematism in painting, as in architecture, is its liberation from all social or materialist tendencies. Through Suprematism, art comes into its pure and unpolluted form.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
  • I think if you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long.
Made on
Tilda